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20121201
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(narrator) henry moore was the world's foremost sculptor for 40 years. his creative legacy in many ways exemplifies the cultural ambitions of his time. he was every bit as surprising and complex as his art, a miner's son who refused a knighthood, a sculptor who caught the public's interest with his drawings, d ryt with a common touch. (henry moore) recently, there was a book published on my work by some jungian psychologist, a very good writer named nauman. i think the title was the archetypal world of henry moore and he sent me a copy, which he asked me to read. but after the first chapter i thought i better stop because it explained too much. and i thought it might stop me from ticking over if i went on and knew it all. (narrator) moore was english to the bone, he carved his reputation in english elm and boxwood, cumberland alabaster, and portland stone. when his art made him wealthy he turned to bronze and marble, but he never turned away from england. for all its rain and taxes it w h and he cleared a new path for english art. (anthony caro) you look at the history of english a
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